AIWAC 2024
Fourth Edition November 13-15, 2024
Love, Marriage, Desire. The Civic and juridic status of women from antiquity to modernity: acquiescence, resistance, destabilization.
AIWAC - Annual International Women in the Arts Conference
hosted by UARK University of Arkansas Rome center
Conference Convened by Consuelo Lollobrigida, Adelina Modesti
Scientific Board: Vera Fortunati, Consuelo Lollobrigida, Adelina Modesti, Patricia Rocco, Juliet Simpson
Student Organizational Team: Giancarlo Nazario, Madalyn Warch
09–9.30am Greetings and opening remarks
- Francesco Bedeschi, Director, University of Arkansas Rome Center
- Adelina Modesti, Curator of Aiwac, University of Melbourne
- Consuelo Lollobrigida, Curator of Aiwac, University of Arkansas Rome Center
Session I 10-12.30pm Chair: Adelina Modesti
10–11.15am Women in/and power
- Brianna Cooney – A Feast for the Senses, A Feast for the Intellect: The Maiolica Patronage of Eleonora Gonzaga
- Laura Mercader Amigò – Margarita of Navarre in the Amie’s Quarrel
- Ilaria Sferrazza – Being a wife: the role of the Duchessa in the Caetani family between the Eighteenth and Nineteenth centuries in Rome.
11.15–11.45am Coffee break
11.45–12.30pm Women’s patronage (matronage)
- Isabel Ruiz – Women in Action: Female Agency in the Community of the Crown of Aragon in Rome (1350-1525)
- Rita Randolfi – Marie Anne de la Trémoille: a model of a progressive woman between the 17th and 18th centuries
12.30–2pm Free range for lunch
Session II 2-5.15pm Chair: Consuelo Lollobrigida
2-3pm Keynote Speaker
- Chiara Mercuri, “Un’esegesi riparativa per la storia delle donne”
3–3.45pm Female desire, power, and motherhood
- Noelia García Pérez, Melania Soler Moratón, Art and Portraits- Medal in the Modern Age: Motherhood as an Image of Power
3.45-4.15pm Tea Break
4.15-5.15pm Queer reflections, lesbian identities
- David Fredrick, The Pictrix and Priapus: Queer Agency on Pompeian Walls
- Thomas Fischbacher, Queer Queens. Observations on the visual representation of lesbian love in Early Modern Times
- Abbey Rees-Hales, The Shadow Lesbian? Interwar Feminine Lesbian Identities in Mariette Lydis’s print folio Lesbiennes (1926)
- Erika Almenara, The Monstruous Subjectivity of the Trans and Travesti Body as a New Female Possibility in Las malas by Camila Sosa
7.00 pm At Jane Austin’s Table In-house dinner for convenors at the Rome Center (registration required)
9-9.30 Greetings
- Adelina Modesti, Curator of Aiwac, University of Melbourne
- Consuelo Lollobrigida, Curator of Aiwac, University of Arkansas Rome Center
Session I 9.30-12.30pm Chair: Adelina Modesti
9.30–10.30am Keynote Speaker
- Daniel Unger – Who are you St. Martha? On Housewives, Housekeepers and Female cooks in Early Modern Paintings”
10.30-11 am – Coffee break
11- 12.30 – Family alliances and professional life: husband/wife
- Alessandra Masu – “Life and Career of the Roman miniaturist painter Bianca Boni (Rome, 1786 – 1857): family, marriage and a secret love affair of a successful woman artist in the Rome of the Grand Tour”.
- Cecilia Paolini – Caterina Marchetti: the importance of Italian wives for the network of foreign artists in early 17th century Rome.
- Juliet Simpson – The Desiring Eye – Elizabeth Eastlake’s (née Rigby) Art as Cultural Agency beyond a ‘Fortunate Marriage’ in Victorian Britain
- Saeedeh Setayesh – Between Canvas and Family: The Choices of Sophie Hess-von Wyss
- Irene Caravita – A perfect loving and intellectual alliance? Fernanda Pivano and le belle ragazze di Ettore Sottsass
Esther Theiler, Paula Modersohn-Becker and Gabriele Münter: People, Places and Passion
12.30-2.30pm Free range for lunch
Session II Chair: Adelina Modesti
2.30–3.30pm Family alliances and professional life: fathers/daughters, brothers/sisters
- Liana Cheney, Chiara Varotari and Alessandro Varotari: A Sister Muse
- Sara Buoso, A Visual Rhetoric: Anachronisms and Ekphrasis in Marietta Patricia Leis’s painting
- Ludovica Carlini, The professionalisation of Laura Grisi in 1972 through paternal and marital relationship
3.30–4pm Tea Break
4- 5pm Single women and professionalization
- Elin Manker, A Work of One’s Own, Professionalism, self-government and the single-women artist in nineteenth-century Sweden
- Paula Gauß, “Love is hard work” – A field analysis of the challenges faced by Corita Kent
- Ina Jessen, Polyvalent inequality: Monica Bonvicini’s costume and stage design
Session I 9.30-12.30pm Chair: Consuelo Lollobrigida
9.30-10.30am Mourning and Memory
- Johnatan Saso – Staging the Royal Mourning: the self-fashioning of Louise of Lorraine, Dowager Queen of France
- Patricia Rocco – Women, Desire, and Death: The Disappearance of Beatrice Cenci
- Lindsay Maldari – Agency in Mourning: The Role of Women as Stewards of Memory in Postwar Commemoration of the Fosse Ardeatine Massacre
10.30-11am Coffee Break
11-12.30pm Film, Theatre, and Opera
- Katrina Xuereb, Social corsets: motif of confinement in Victorian cinema.
- Sonia Arribas, Irene Valle Corpas, ‘Something completely mad and extraordinary’ Love, and Artistic Creation in Charlotte Salomon’s Life? or Theatre?
1.20pm Q&A , Round table and closing remarks
Streaming links
UARK ROME CENTER – PALAZZO TAVERNA – Via di Monte Giordano, 36 – 00186 Roma – Tel. 06 6833298 – info@aiwac.eu